Tarot Symbolism: Enemy of The State


by Odyn PenDragon

The core idea of Atu VX “The Devil” is that of Enjoying Any Sensory Experience that you desire. By extension, that includes Any Sensual Experience that you desire. All other considerations are auxiliary. But, to me, the primary auxiliary consideration is rather the Abandonment of Morality: to actually ‘know’ that “morality” is an artificial construct. Here there is no such thing as a “wrong” activity. Even ‘murder’ is not a “wrong” act — just merely inconvenient for the recipient.

The greatest virtue of Atus XV and XVI is that of “Change Your Mind and Attitude”, or rather “Open Your Mind and Attitude”. Ignoring this prime directive at these stages does result in “failure”. (Thus Atu XV also tends to be interpreted in terms of “incoming occult knowledge” or other similar metaphors.)

In the Crowley-Harris version of this image is blatantly displayed a grand phallus plunging its ‘head’ into “a hole”. All that Crowley says of this “hole” is that it is “the rings of Nuit”. He does not further specify “what hole” it is. It is frankly any “hole” that the phallus (or, the phallus-wielder) desires: a vagina, a mouth, an anus, even a hole in a tree — so be it.

The best in “The Devil” is “how can I take the most advantage in all that is available”.

For those obsessed with “correct” or “incorrect” behavior, this portrait is of Wanton Abandon to Pleasure. Some people choose to freely and openly exhibit “their devil” without embarrassment. Others are embarrassed by “their devil” and ‘reveal’ it only within secluded confines, but still plague their mind with the “wrongness” of the act. The other set of secret practitioners fear the reactions of otherwise surrounding moralists, but themselves do not consider it “wrong”. There is a so-called ‘fourth class’ who wantonly display “their devil” with the added sensory delight of offending the surrounding moralists who think the act is “wrong”.

It is too bad that much of the discussions surrounding this idea tend to obsess around “sexual” considerations, given the rampant “sex-embarrassment” entrenched in not just any one human culture. I re-emphasize that this matter is about Sensory Experience, not just Sensual Experience. If someone enjoys being physically hurt, it does not automatically translate into a “sexual” experience. Yes, it is sensual, i.e. sensory. If someone enjoys watching someone else ‘puking their brains out’, finds it funny, there is nothing “wrong” with that — and there is nothing inherently “sexual” about the enjoyment either (but if it is, so be it).

Atu XV happens to focus on Abandonment of the artificial construct called “Morality”. (Abandonment of all other remaining artificial constructs rather occurs with Atu XVI — thus it is a much more devastating portrayal.) If one honestly examines the nature of “morality”, with its simplistic notions of “right” and “wrong” behavior, it is not difficult to see its intimate tie to sensory experience on all levels. It is by the ‘abandonment’ of this artificial construct that one gains a perspective on the nature of “moral” construction; then, at least, you become ‘the master’ of Your Moral Behavior, rather than being a slave to some “external absolute”. Herein lies my most profound objection to any “sane” discussion of “Evil” and ‘his’ companions with regard to this page (card). “Evil” has become one of those imagined absolutes that plagues the thought processes of those who want “external absolutes”. “Good” and “Evil”, “Right” and “Wrong” (which are merely emotional tags) have been turned, by many who desperately desire a sense of order, into comparative ‘deities’: absolutes unquestionable; violations of which are met with consternation. The reader who succumbs to any rant about “inappropriate behavior” when this page (card) appears in a reading, reveals themself as still enraptured with that spectre of “righteousness”. (And then there is no wonder, in this mind, why Atu XVI appears even more “mis-translated”.)

Atus XV and XVI are not the initiation of Breaking Limitations: that initiation occurred earlier in the Trump Series. These pages (cards) happen to focus on the Breaking of Sacredly-Held Limitations.

When this page (card) appears in a reading spread, along with whatever it may indicate for the querent (client) amidst the context of the spread, it should also serve as a reminder to the reader to carefully observe any “moral limitations” sacredly held by the reader, and to make an extra effort to not allow such to bias the reading. If I am doing a reading for a housing banker, and see indications that the client is about to foreclose on a bunch of delinquent mortgages, I have to resist the temptation to sabotage the reading that might help sabotage such an impending act — despite my “moral” objection to that act.

O-A-Hum
OPD

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Tarot Symbolism: The Ultimate Pilot – Thoth Tarot


By Odyn PenDragon

Atu XX is called “The Aeon” in the Crowley-Harris Tarot. Crowley’s use of the term is difficult and misleading, especially for “the beginner”. He ‘distorted’ the idea of “an epoch” to conform to his desire to ‘create a new religion’ (a huge mistake in my opinion). One is better off investigating the use of that term with regards to “Gnosticism”. (I have yet to read Jung’s book by that title.) The ‘classic’ full title is “The Last Judgment”, which is infinitely superior to the foreshortened “Judgement”; but one is much better off dissociating the “X-tian connection” to that phrase.
Crowley’s design of Atu XX, even by his own description, is claimed to be a portrait of “the Hierarchy of the New Aeon”, which is technically correct but, again, misleading by the presented wording. Instead of “back-pedaling” and then “forward-pedaling”, I’ll just jump right in.

The Developing Human has gone through the entire adventure as described by the Trump Series — from the initial “Abandonment of the Previous” of Atu 0 unto the eventual “Discovery of the Fuel Chamber” of Atu XIX. Atu XX is a portrait of A New Vehicle of Incarnation (a schematic if you will), and is “the rebirth” unto “a new human”. (I want to say “new being”, but let’s keep this within ‘humanity’.) The Seated Central Deity is “the new person” placed at the Captain’s Chair of the New Space-Time Vehicle. The “Wand of Power” in one hand is “the shifting-stick of the transmission gear-box” controlling “the velocity”. The other hand is “steering the vehicle” controlling “the orientation” (the phrase “I have crushed an universe, and nought remains” is a groovy technical phrase). The Ghostly Twin Sibling is what is commonly called “the astral body” of the physical pilot. In another sense, this is the gnostic Daemon in relation to the seated Eidolon. The Surrounding Goddess (Nuit) is not only the Shell of the overall Vehicle, but also the Distortion of Space-Time about that Vehicle, whereby “point A” and “point B” are ‘curved’ into coincidence. The Basic God-Focus (Hadit) is multi-aspect: the “point A+B” coincidence, the “fuel source”, and (to use a ‘disneyland’ metaphor) the monorail track of the Vehicle.

The complex image at the very base of the portrait, the “hebrew-letter-shin” with the “three children”, and the flames surrounding, I will not get into except that they refer to the ‘classic’ version of this card — yet beyond the average considerations (‘why the three fetal icons?’). The presiding image is a complex re-image of the ‘classic’ Trumpeting Angel.

For those not acquainted with “space-time travel”, I simply invite you to search for the presentation given by ‘the heretic-scientist’ Bob Lazar, who actually ‘back-engineered’ one of the “extra-terrestrial vehicles” (so he claims, by one faction; or so he lies, by another faction; or so, ‘who do you believe?’ (and that is a trick question)).

This “New Vehicle” is a complete violation of “what we are supposed to be” according to Nature. (Atu VII “The Chariot” is the Vehicle “we are supposed to be” according to Nature.) For those who pretend that “human evolution” is “better”, you should double-check with Nature “who prefers you that you subscribe to ‘her’ parameters”. Nature does not want the “new human” described in this portrait. The stage depicted with this portrait requires a “real grown-up attitude”, when you are cast out of the gestating house and unto a real ‘wild abandon’. “You are now A God.” This is very different from ‘answering to a god’. The “Children of Nature” have a much ‘easier’ time with the matter of ‘living’.
All you have to do is “stay asleep” within the ‘bed-chamber’ of “mother’s choosing”. Animals are very much friendly with this tactic. And “sleeping humans” are very much entrenched in animal life.

I was reluctant to use the term “resurrection” with this card, rather than “rebirth”, so I ran to my ‘trusty’ dictionary. The following three definitions are offered: a) “the act of rising again after death” (ok); b) “a bringing back into use” (ok); c) “a body snatcher” (HA! There It Is!). Atu XIV also qualifies as a “resurrection” of sorts; so how was that to be distinguished from Atu XX? Actually, in the “long analysis”, there is definitionally “no difference” — so the difference is only to be cognized within the Trump Series. But there is a huge difference between the “Temperence” stage and the “Aeon” stage, given the various ‘trans-terrestrial’ stages between those two (Atus XVI, XVII, XVIII and XIX).

O-A-Hum
OPD

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Desperate Planning – Thoth Tarot


By Odyn PenDragon

We humans (animals) tend to perceive structure (eye, ear, etc.), and from those, many tend to project from that a desire for some fantasy of “pattern”, and even further, the fantasy of “design”. Some passively accept this “design” model; but many others go further to then fantasize that there MUST BE A “DESIGNER”.

This Search-Desire for “A Designer” takes on many fascinating models, which unfortunately for many humans has produced the Fantasy of “A God”. Even my legacy-organization The Freemasons attempted a ‘renaming’ of that method by the term “The Grand Architect” — a desperate attempt to separate the “Great Designer” metaphor from the stupid ‘Control Freak’ monster they saw destroying the idea. But even they made a miss by clinging on to some ‘Grand Planner-Coordinator’ metaphor mixed in with some idea of centralized ‘control’.

Return to the ‘simplified’ method of ‘the’ YIN-YANG process: Enfolding & Unfolding. Sub-Atomic Processes enfold into Atomic Structure, and thereby unfold unto some ‘endurance’. Atomic Structure enfolds-combines into Molecular Structure, and thereby unfolds unto some further ‘endurance’ for those otherwise virtual sub-atomic ‘particles’. Molecules enfold into Cellular Structures, which even further unfold the ‘endurance’ of those very virtual sub-atomic ‘particles’ so deeply resident in the now growing complex structure. This “ladder” continues to cascade unto more complex structuring by serial enfoldings-combinations of the scale elements, and thus further unfolding of ‘endurance’.

Does this process describe “pattern”? Yes, according to our perception. Does this process describe “order” and/or “design”? Not necessarily ! The above described processes do not require any imaginary “Grand Planner”. Just because some “sentient being” perceives pattern and then projects a preconceived notion that such pattern MUST involve so-called “intelligent design”, is no proof of such a “Grand Planner”. It is simply proof of The Prover’s Obsession with their Model of Control. This all must, must, must make sense, yea?

This is where many make a miss in interpreting Atu III: The Empress. “She” is the Pure Happenings, which precede all considerations of the desperate attempts of all so-called ‘cognizant entities’ to make sense of the perceived patterns; and precedes the phase of Atu IV: The Emperor, who then attempts to configure his world as “Ruler” — ironically, “ruler” = “measurer”, “interpreter”. This newly-enthroned Emperor-of-one’s-own-empire MUST evaluate, coordinate, consolidate the vast array of otherwise non-sensical data into some semblance of order. The poor fool is now entirely dependant upon the ‘instructions-from-above’, to properly construct the empire.

This is here the danger of Atu V: The Hierophant. This figure has the awesome responsibility to properly instruct the Young Emperor on how to construct and conduct His Empire. If this figure-head has been poisoned with some Dæmon of Deception, the Young Emperor is now summarily cursed with the same poison, and the Empire is summarily distorted into that configuration. And this Hierophant does not get simple pass for ‘misunderstanding’. To achieve the Role of An Hierophant is not a light matter, and to bring poison to all the Young Emperors is HIGH CRIME. The simple Emperion of one’s own Empire is the business of that Emperor. Manipulation by the Hierophant deviant to the success of an Individual Empire, in favor of some Trans-Empire Poisonous Imagination is, again, High Crime in the Hierophantic Art.

All the “Priests of Plan” are Criminals, in the opinion of this ‘humble’ Mad Wizard. To promote the deception of any necessity for some “Grand Designer” to the Young Emperor desperately constructing one’s empire, is a direct violation of the time-honored Hierophantic Art. The tools of some ‘basic coordination’, and some hints at self-acceleration are the principal instruments — and then watchful instructions as the youngling stumbles.
And by the way, I would go so far to say that the Genuine Hierophants might be watchful of the Abberants who would poison the Young Emperors, and maybe take a blade to the necks of those Pretend Hierophants who would so joyously corrupt the Young Emperors into some Blind Allegiance with Their Dæmon. To be very clear — the “false path” is any ‘belief’ in some ‘Controlling Deity’.

O-A-Hum
OPD

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