Grey’s Anatomy Tarot Reflections


(Fenestra Tarot Deck – by Chatriya – Oct 31, 2006)

One of my daily routines is to turn on netflix and watch Grey’s Anatomy while sipping my coffee. Today I was watching Season 7, Episode 2 and the scene was where a flag football team came into the ER with wounds after being struck by lightning. I thought it would be the perfect opportunity to write a short article about it.

Each of the boys from the football team had a huge crush on the only girl on the team. Lucky her right?

After being struck by lightning each boy felt compelled to tell her about their love for her and asked her to marry them.

So here’s this poor girl, sitting in a hospital bed crying her eyes out because the one guy that she actually liked in return was injured so much that he needed surgery, and she was unable to tell him she cared for him. So here she is, blubbering, and there are two boys in the room apologizing for making her cry. They were asking her what they did, and how they could make her feel better.

Holy emotions people !! No wonder why I love this show. It’s full of crazy drama, and I am a woman. 🙂

Anyhow, Lexi Grey, one of the surgical residents spoke up and said, “The poor girl was struck by lightning today! She’s crying because everything changed now. She was just part of the team and everyone was friends, now all the sudden, lightning strikes and her whole world changed as she knew it.” (Well not the exact words, but similar)

What a perfect scene to go along with the spread above. We have the six of cups, representing the team mates as friends. Everything seemed perfect, and everyone was having a good time playing football together. The girl on the team was just one of the “guys.” Then suddenly lightning strikes and everything changes; the tower card. Because of the tower, this girl is now crying in a bed, wishing for everything to go back the way it was before.

In conclusion, Tarot can be read quite easily if one can link time and events to the cards while studying them. Now each time I do a reading, and I see these cards, my memory will be jogged, and I will be able to find meaning in the cards more quickly than if I hadn’t associated these cards with the Grey’s Anatomy scene above. 🙂

8 of swords – Free Me !!


8 of Swords scan Touchstone Tarot

Sometimes one can be in the perfect mood, and once they leave the house, someone else who is in a bad mood rubs off on them, and steals their joy! There is nothing more annoying to me. We all know the saying, “Misery loves company.” How true.

The other day I went to the grocery store, and the kids were all excited to pick out snacks for their cupboard. We were being silly and dancing in the isles, having a good time. Nothing could steal my joy, absolutely nothing. Or so I thought! After all, I was in the cookie isle.

Upon reaching the cash register, I began unloading my cart and within a few seconds my joy dissipated rather quickly. The cashier was in a funky mood, and decided to take it out on me, the customer.

Back when I was younger I would have told her to stick it where the sun don’t shine and walked out. But, now that I am older, and a responsible mother, I felt like the eight of swords. I was unsure of what to do, and even waiting for the rescue of a manager near by. Which didn’t happen, by the way. I was feeling persecuted, and wasn’t sure which way I should handle the situation.

When you sense or feel a negative mood emanating from someone, try this useful technique to try and understand what it is that’s going on with them. –

First, get yourself out of your own way! Discard the thoughts that you are feeling. Relax, close your eyes, and don’t forget to breath, or you will fall over.

Try to imagine that you are stepping into their shoes, and becoming that person. Feel what they’re feeling. The chances are that you will probably have a better understanding of what is going on, and might even be able to help.

After doing the above technique, I regained my joy, and a smile was back on my face. Apparently I have a beautiful smile because the cashier was no long in a fowl mood. My energies rubbed off on her. See, sometimes a smile really can make a difference.

Back to the 8 of swords. Release yourself from the bondage of misery around you. You have a choice of swords waiting to cut you free. Grab one and cut, what are you waiting for? Whomever tied you up didn’t do such a great job. Take off that blind fold, and see through your feelings. There is a happy ending if you allow yourself one.


“I am able to share, and trust my true feelings.”


TarotCon Australia: 16-17 March (Sydney)

Rootweaver (Vintage Lenormand 'Garden' card)Garden = Public gathering

Rootweaver (Vintage Lenormand ‘Garden’ card)
Garden = Public gathering

TarotCon (Tarosophy Tarot Convention) is almost upon us! If you have not yet reserved your seat to this historical (first) event, do so now without further delay. I want to meet you!

International Presenters: Marcus Katz (UK), Tali Goodwin (UK) and Carrie Paris (US), National Presenters: Russell Sturgess (Aus), Biddy Tarot (Aus)

Meet your Tarot Tribe face-to-face, learn groundbreaking Tarot and Lenormand reading techniques, and experience beautiful Sydney at its very best.

Hope to see you there!

Tarot Symbolism: Enemy of The State

by Odyn PenDragon

The core idea of Atu VX “The Devil” is that of Enjoying Any Sensory Experience that you desire. By extension, that includes Any Sensual Experience that you desire. All other considerations are auxiliary. But, to me, the primary auxiliary consideration is rather the Abandonment of Morality: to actually ‘know’ that “morality” is an artificial construct. Here there is no such thing as a “wrong” activity. Even ‘murder’ is not a “wrong” act — just merely inconvenient for the recipient.

The greatest virtue of Atus XV and XVI is that of “Change Your Mind and Attitude”, or rather “Open Your Mind and Attitude”. Ignoring this prime directive at these stages does result in “failure”. (Thus Atu XV also tends to be interpreted in terms of “incoming occult knowledge” or other similar metaphors.)

In the Crowley-Harris version of this image is blatantly displayed a grand phallus plunging its ‘head’ into “a hole”. All that Crowley says of this “hole” is that it is “the rings of Nuit”. He does not further specify “what hole” it is. It is frankly any “hole” that the phallus (or, the phallus-wielder) desires: a vagina, a mouth, an anus, even a hole in a tree — so be it.

The best in “The Devil” is “how can I take the most advantage in all that is available”.

For those obsessed with “correct” or “incorrect” behavior, this portrait is of Wanton Abandon to Pleasure. Some people choose to freely and openly exhibit “their devil” without embarrassment. Others are embarrassed by “their devil” and ‘reveal’ it only within secluded confines, but still plague their mind with the “wrongness” of the act. The other set of secret practitioners fear the reactions of otherwise surrounding moralists, but themselves do not consider it “wrong”. There is a so-called ‘fourth class’ who wantonly display “their devil” with the added sensory delight of offending the surrounding moralists who think the act is “wrong”.

It is too bad that much of the discussions surrounding this idea tend to obsess around “sexual” considerations, given the rampant “sex-embarrassment” entrenched in not just any one human culture. I re-emphasize that this matter is about Sensory Experience, not just Sensual Experience. If someone enjoys being physically hurt, it does not automatically translate into a “sexual” experience. Yes, it is sensual, i.e. sensory. If someone enjoys watching someone else ‘puking their brains out’, finds it funny, there is nothing “wrong” with that — and there is nothing inherently “sexual” about the enjoyment either (but if it is, so be it).

Atu XV happens to focus on Abandonment of the artificial construct called “Morality”. (Abandonment of all other remaining artificial constructs rather occurs with Atu XVI — thus it is a much more devastating portrayal.) If one honestly examines the nature of “morality”, with its simplistic notions of “right” and “wrong” behavior, it is not difficult to see its intimate tie to sensory experience on all levels. It is by the ‘abandonment’ of this artificial construct that one gains a perspective on the nature of “moral” construction; then, at least, you become ‘the master’ of Your Moral Behavior, rather than being a slave to some “external absolute”. Herein lies my most profound objection to any “sane” discussion of “Evil” and ‘his’ companions with regard to this page (card). “Evil” has become one of those imagined absolutes that plagues the thought processes of those who want “external absolutes”. “Good” and “Evil”, “Right” and “Wrong” (which are merely emotional tags) have been turned, by many who desperately desire a sense of order, into comparative ‘deities’: absolutes unquestionable; violations of which are met with consternation. The reader who succumbs to any rant about “inappropriate behavior” when this page (card) appears in a reading, reveals themself as still enraptured with that spectre of “righteousness”. (And then there is no wonder, in this mind, why Atu XVI appears even more “mis-translated”.)

Atus XV and XVI are not the initiation of Breaking Limitations: that initiation occurred earlier in the Trump Series. These pages (cards) happen to focus on the Breaking of Sacredly-Held Limitations.

When this page (card) appears in a reading spread, along with whatever it may indicate for the querent (client) amidst the context of the spread, it should also serve as a reminder to the reader to carefully observe any “moral limitations” sacredly held by the reader, and to make an extra effort to not allow such to bias the reading. If I am doing a reading for a housing banker, and see indications that the client is about to foreclose on a bunch of delinquent mortgages, I have to resist the temptation to sabotage the reading that might help sabotage such an impending act — despite my “moral” objection to that act.


Tarot Symbolism: The Initial Vehicle

by Odyn PenDragon

I consider Atu VII to be the first “real lesson” in the Trump Series. Atus I-VI have been of the nature of preparation. (It can be argued that Atu VI, due to the complex nature of its depiction, is the first lesson. I would simply argue that it is the last, and most important, lesson in the preparation*.)

The metaphor of “The Chariot” has been a favorite amongst many traditions as a standard for describing the status of “an ordinary being”. Even Gurdjieff, who did not subscribe to the standard “occult” retinue, unhesitatingly used the “chariot” metaphor to describe “the beginning status” to his students. The metaphor is utterly simple. There is the Main Vehicle. Added to that is the Conductor and the Moving Force. The ‘reigns’ connecting the ‘conductor’ to the ‘moving force’ is the first auxiliary metaphor-extension.

(For those who play with the Crowley-Harris version of this image, there are no ‘reigns’ connecting ‘the driver’ to ‘the driving force’. But the ‘reigns’ are apparent if you view the surrounding rings radiant from the ‘held cup’, which is like “a steering wheel”. This “steering wheel” is very much equivalent to “a scrying medium” (cup-of-water, crystal-ball, etc.).)

This icon is very much The Somatic Vehicle. It is What We Begin With!

With Atus I-VI, the initiate has been ‘prepared’ with a diet of concepts that build from “relative nothing-ness” to “relative something-ness”.

Atu VII is that “slam” of “this is actually what you have to deal with, in the beginning”. You have this Bio-Form! It has some basic intrinsic properties. It is “the first consideration” in all of your consideration(s) of “How Am I Going to Navigate ‘This’ Universe?” It is rather ‘the question from very birth’. From the very beginning of stumblings, that ‘question’ is all-pervasive. This is ‘the lesson’ of this Trump: “how do I deal with this stumbling temple?”

The “lesson” takes on properties of cognizing a kind of “visceral” cognizance. “The Body” has a kind of ‘wisdom’ of its own. We use the metaphor of “feeling my way” through “all of this”. The basic english language has the one handicap of using the term “feel” in both a bio-sensory and an emotional way. It doesn’t help that this dual definition is equally valid. (Thus the association of this Trump with the Astrological Cancer.) That is why I have chosen to use the metaphor of “Visceral Navigation” with this Trump.
But Atu VII is much more than mere “visceral navigation”. It rather epitomizes the Entire Body Sense. To actually “feel” that ‘this body’ is ‘a vehicle’. To cognize that you are “navigating a vehicle” is of supreme importance!


* Atu VI has the awesome responsibility of transmitting the most primal lesson of “The Metaphor of The Student”, who must principally cognize Two Key Ingredients in One’s Composition, which the “Gnostics” labeled ‘The Eidolon’ and ‘The Daemon’. They are “the intimate lovers” co-existing in “one house”. The average description to this image is that “a marriage is occurring” — but “the awful secret” is that “there really was never a separation”, and that “the marriage” is kind of “after-the-fact”. The metaphor of “a marriage” is based on a delusion that there was ‘a separate status’ that ‘had to be married’. The “marriage ritual” is as a formality, in the sense that “the separate two” were never really “separate” — it only appeared as such. The “marriage” has “been arranged” from the very beginning.

Tarot Symbolism: The Broken Prison

By Odyn PenDragon

(this is not just ‘food’ for Thoth)

Atu XVI is commonly called “The Tower” or more fully “The Blasted Tower”. My own chosen alternate title would be “The Crumbling of The Prison Walls” or more simply “The Broken Prison”. The key idea is that An Established Stable Edifice becomes Utterly Destabilized! The stability of this established edifice is our own conviction in the certainty of our given sensory data. Things Are What They Are, according to our senses; and their apparent consistency encourages our conviction in that certainty. Wobbles of that certainty are what is usually called “delusion” or “illusion” — and never for a moment is that panorama of sensory-convinced consistent certainty ever considered the “actual illusion” or “actual delusion”. Such a consideration would be utterly unnerving for “ordinary living”.

But remember, all Tarot freaks, that Atu XVI is well advanced in the Trump Series. We have gotten well beyond “ordinary living”. The ‘later’ pages (cards) of the Trump Series deal with describing factors necessary-of-consideration for those who have “done work” on themselves. Atu XVI deals with the awful revelation of The Delusion of One’s Own Self-Crafted Prison Walls. The effect does come off like “a force on-high” “descending” and “devastating the solid edifice” “below”. (The ‘above/below’ metaphor is an antique left-over.) The full effect does not require your actual Sensory Perception to “become wobbly”. The devastation is in Your Conviction of ‘Its’ Certainty. In its essence it is A Drastic Change of Mind and Attitude, and the “revelation” is equivalent to “an onslaught”. For those Addicted to Certainty, it would feel like “a violation” and “a violence”. The “breaking” of these “prison walls” is in the otherwise ordinary underlying belief in their certainty. These “prison walls” can still maintain their ‘ordinary appearance’ during this mental conversion. What is “destroyed” or “disturbed” is the resident comfort of their certainty; and the awful cognizance that “what is called real” IS a “curtain” or “veil”. And this revelation does not even have to take on ‘metaphysic’ proportions: the simple comprehension that “the perceptual curtain” is composed of only a portion of the total potential signal-energy output of even every “physical” manifestation, is sufficient.

So, when this card appears in an “ordinary reading”, the reader should be compelled to break the news to the client that some “sacred cow of certainty” is at risk. The usual tactic appears to have been to merely give some ‘frightening trepidation’ about “a violation”, without indicating “the real victim” of “this violation” — a sacredly-held ‘certainty’. For those readers who have dared such, I applaud you.

All of this gives a clue as to why I question the now-classic attribution of this page (card) to only the astrological planet Mars. The much more preferable attribution would be directly that of the astrological planet Pluto. Pluto may be commonly given the metaphors of “death & resurrection”, but the seed idea is that of “transformation” — and, especially read “TransFormation”. The “death & resurrection” metaphors are attempts to give markers-of-definitiveness to a process that rather actually reeks of “in-between-ness”. And it is not unwarranted to say that when the Sense of Certainty has “been violated” or becomes rather abrogate, a feeling of “in-between-ness” ensues. In the Trump Series, Atu XVI represents when the Construct of Certainty has been Torn Asunder, but as yet no “alternative” has been offered (that is the ‘later’ Trumps).

(There are those who also associate the astrological planet Uranus to this page (card), which I cannot wholly disagree yet for one key exception, that I tend to view Uranus as much more ‘purely’ of ‘mental’ orientation — the archetype of “Change Your Mind” in-and-of-itself.)

To me, the astrological planet Mars is much more appropriately associated with Atu IV “The Emperor”. The now-classic astrological attribution to Atu IV is the zodiacal sign Aries; which in my outlook is also valid. Mars is in its core a rather “defiant” stance of “Selective Independence”. There is an insistence on “Me, Myself, and I” (the three ‘truly’ best friends). But this “defiant” stance of Mars is not a matter of ‘pushing away others’; it is simply the extreme perspective of Insisting on Self. Both Mars and Atu IV are merely the notion of “in the wholistic context of Nature, What Is My Place?” Atu IV is the “awful” revelation of a cognizant entity, co-involved in the collective concourse of Nature, to dare to ask such an heretical question as “how do I fit into all this?” Atu IV is distinguished from Mars due to ‘the animal factor’ (of which ‘the human factor’ at this stage is a sub-set).

The core idea of Mars as “Selective Independence” becomes rather abrogate with Atu XVI. “Selective Independence” requires a Sense of Certainty in that notion of “Independent Existence”; a ‘Sense of Certainty’ in that ‘Sense of Separation’ from the surrounding ‘Co-existing Context of Nature’. Atu IV is the most primal act of “I Am I”. With Atu XVI, the sense of “I Am I” is not violated. What is violated at Atu XVI is any certainty of “what is this that Surrounds ‘I’?” What is violated at Atu XVI is “how do I define what Separates ‘I’ from the rest of the surrounding?”

As those who are consistent with “wholistic cognition” do cognize, eventually that “sense of separation” evaporates. But not yet here at Atu XVI.


[added May 15]

There is another factor, concurrent but only appears to be a ‘separate’ consideration.
The devastation of “The Blasted Tower” is very much connected to the Separation of Identification with One’s Temple-Shell. The “Be Here Now” of Atu XIX is the completion of this indicated separation; Atu XVI is the so-called ‘real beginning’ of this separation. To use metaphors from cinematic stories, Atu XVI is The Initial Unplugging from The Matrix, and The Separation from The Avatar. You cease to attach your Sense of Identity with the Vessel, the Machine, the Vehicle that You Are Piloting or Driving. Then, the statements such as “IT Moves” and “IT Feels” and “IT Thinks” become actual, and not merely novel notions. All external descriptions of this attitude pale in comparison to actually experiencing this attitude.

There is yet another concurrent factor, even ‘weirder’ than the above.
There is a genuine sense of how All The Surrounding Construct is A Collection of Information. The “Tower” Crumbles not because chunks of material mutually separate and dissociate from each other — the bodily form remains intact. It is “the reality” of those ‘building blocks’ and of ‘the overall structure’ that is utterly thrown into question, the Sense of Their Stability. To have the vision of how All This is “Congealed Information” is more devastating to The Old Sensibility than can be imagined for ‘ordinary living’. You do not question the movements and happenings of “reality”; but while you observe yourself and your surroundings, your “view” of it has been drastically altered. And it is a “view” that cannot be shared with others, unlike when two people can point to a rock and agree on ‘its’ existence — even if you happen to be with another who also has shifted “view”. I that case, at best, the two “view”-shifted individuals can mutually chuckle over the “it’s just information” humor.

Telling Time with Tarot

By Andrew McGregor

I do a lot of divination for myself and for others. One of the most awkward questions for me to answer has always been, “when will this particular thing happen?” Some cards have obvious associations with timelines but others do not. How long a time is suggested by the knight of cups? What point in time is indicated by this card? Well the question can be resolved easily when one sees how the cards fit onto the wheel of the zodiac as depicted in the model we are looking at. This is the first advantage of working with this visual tool, answering the difficult question of “when” actually becomes actually quite simple.

The second advantage to knowing this model is that it can help give clues as to which kind of energy one might want to work with in relation to the question. Sure there are the elemental attributions of cards but these may be too limited, or if you are working on a more macrocosmic level they may not be enough by themselves, and you’ll be asking, “where do I look next?”

So as we go through each card below take a look at the illustration. It may look a bit complicated but it will be simple if you read along and keep referring to the illustration.

The Wheel of the Year and the Tarot

Tarot cards laid out on the wheel of the year.

So we all know there are 12 signs of the zodiac. These each rule 30º of the zodiac. It’s a no-brainer we just divide the wheel of the year 360º by 12 to get the amount each sign will rule. But note that the Astrological year starts in Aries, in March, and not as we are used to in January.

The confusion starts to creep in with the small cards and the court cards. Each quarter of the year is ruled by one element as represented by its Ace. So, for instance, the first quarter is ruled by Taurus and Earth. It is also ruled by the Princess of that same suit. After subtracting the Princesses and the Aces we have 36 small cards and 12 court cards left over.

The small cards each rule 10º of the zodiac, three to a sign. Each small card is also governed by a planet. Its meaning is actually the product of that planet in the sign that gives it its meaning. For instance the 2 of Wands is Mars in Aries, in the Thoth deck Dominion, Mars in the sign it rules amplifies the martial energy to create power and control. Each of the small cards can be understood in this manner.

The court cards, like the signs of the zodiac, rule 30º of the wheel. However due to their intermingled elemental nature they are offset from the signs of the zodiac by 10º so each card rules from 20º of on sign into 20º of the next sign. This can also help to determine what energy a person would have in their personality. Sort of like a mini astrological chart.

I have found this to be and invaluable tool for expanding the way I relate the tarot to both the year and to time in general. I hope it helps.

Andrew McGregor

Fie…! Fie…! Oh, wait a minute… I meant, Five!

The number Five in the Minor Arcana….

Of course, it is a struggle with the fives…!

(And the fives would be happy I said that!)

But then, again, it is the fives that are something, if anything is anything at all…

(Now the fives are happier you have agreed!)

You see, the universe is always moving towards balancing, and so it is imperative that there be chaos, else the universe would have to retire itself. Yet, perpetrating disbalance is not a portfolio that anybody would pick up willingly. So, smack bang in the middle of everything, there is Five.

When you have worked and learnt and gathered and made everything just so, along comes a time which is upsetting in nature, challenging in appearance, and calling itself an opportunity. These are your number cards Five in a Tarot Deck. And if you want to regain your equilibrium, and enjoy happy, stress-free days again, you must pass through this portal.
Indeed, the number Five in the Tarot Deck, especially in the Minor Arcana, represents a portal.

FIVE of SWORDS: Complete disruption in all the ways you have engaged your intellect, up until now. You can argue and be clever all you want, but you have just now alienated your whole friend-list.

FIVE of WANDS: Complete disruption at play, where you engage your patterned reactions… and it is not even evident at first.

FIVE of CUPS: Complete disruption of emotional stability…. The immediate pangs of “Why me?” And, it is also debilitating… you can’t move…

FIVE of PENTACLES: Complete disruption of material stability. Not a penny left, robbed clean of even your hope… Penury at its worst.

Here, I spy, is the key!

FIVE is Mercury, the trickster… the fox who rampages through traps set in the forest so that all animals can become alert to their vulnerability, and empower themselves. Thus, the Fives crash through precisely that trait in us which is causing us to lose our grip on the bigger picture.
Thus, Five of Swords really occurs when you have had a spate of being proved right, and you are creeping up on the idea that you are infallible. Five of Wands happens upon you when you become so steeped in your importance that you get mixed up between playing at competing, and warfare. Five of Cups throws your expectations right back at your face, asking you what gave you the right to put your loved ones to test, when you don’t come up to scratch, yourself. And Five of Pentacles robs you of what you hold most dear, and forces you to face living without it.
Yet, we need to turn the key another notch….
Mercury is also the divine messenger, and the number five is the fulcrum in the march of numbers….

So, we need to look at the enemy to solve our enmity with ourselves… poke out the thorn with a needle, so to speak…

FIVE of SWORDS… bring in earth. Look at what stabilizes the frightened man, as fright exists in the head. Hand him that. Show him the way home, where he can eat a full meal, and sleep on a peaceful bed.
It certainly follows that FIVE of PENTACLES can thus be calmed by air… by reasoning and analyzing the situation. Show the querent where in his circumstances are his resources still available.
For FIVE of WANDS, a cool draught to calm down the striving arms by giving them something to hug. Invariably, it is something within the querent that he would find loving/lovable… thus, justifying his stepping back from the fray.
And for the FIVE of CUPS, summon fire. Stir up passion. Dig out the creative spark and stoke it into a bonfire.

It behooves us to remember at this point that Mercury is a neutral planet… with neither a masculine, nor a feminine disposition. This makes it uniquely placed to show us a mirror of what we are missing….

When at a reading, a Five shows up, I have learnt to identify potential greatness. It has entered the picture to show us the possibility of a seed in the fruit, the promise of a whole orchard! Your querent may not be a willing party to disruption.. in fact, he may view it as a downright threat… but that is why you are here, grinning at your loopy high-fives!

Lenormand – FREE course + deck download

Today I simply have to share my most recent obsession and Cartomancy indulgence. In one word, Lenormand!

Okay, so it’s not strictly tarot,  this is a 36-card oracle system named after Madame Lenormand, the most famous card-reader of all time. She was the cartomancer of Napoleon and Josephine Bonaparte, amongst others. Mlle Lenormand claimed to obtain her first deck of cards at the age of 14 from gypsies who taught her to read. It wasn’t however until two years after her death that the first ‘Lenormand’ deck named ‘Le Grand Jeu de Mlle. Lenormand’ was published by Grimaud. This deck was created by a Madame Breteau, who purportedly was a student of Madame Lenormand.

The cards are hauntingly beautiful. One is spoilt for choice as there are so many decks available to choose from today. Typically a Lenormand cartomancer will acquire several, just like the typical tarot reader, many of us know no limits to the amount of decks we simply ‘must have’ in our quest for knowledge 🙂

If you’d like to learn more about the Lenormand style of reading, pop over to Tarot Town and join for a free course written and taught by the lovely and talented TaliTarot. The course/group is called Lenormand Lessons with TaliTarot, where she teaches Salon-Style readings with the Lenormand. And, did I mention it is FREE!

In fact, Tarot Town offers so many wonderful resources for tarot enthusiasts that it is well worth joining even if you don’t want to enroll in Tali’s Lenormand course just yet. You will most certainly find a lot of other things that will entice you to become a part of this vibrant community.

I was very happy to find the gorgeous Lenormand 1892-1931 Altenburger Spielkarten & Co deck (featured) in the public domain that you can now download from here. You may find it helpful to use during the course until your first Lenormand deck arrives if you don’t already own one. Links to download are below.

For those who are already enrolled in Tarot Town’s Lenormand course, here is a handy download of the Grand Tableau template (as promised) that may come in useful during your studies. I’ll be ‘seeing’ you all in class!

Now all I have to do is figure out how to pronounce Lenormand – presumably with a fake French accent!


Download a Grand Tableau template in PDF format. Or save the template below to your computer – PNG format.

Grand Tableau Grid-PDF

Download a complete 36-card Vintage Lenormand deck (public domain.)

At 4 cards per sheet all 36 cards are available, spread over the 9 pages below.


Lenormand 1892-1931 Altenburger Spielkarten & Co-pg2

Lenormand 1892-1931 Altenburger Spielkarten & Co-pg3

Lenormand 1892-1931 Altenburger Spielkarten & Co-pg4

Lenormand 1892-1931 Altenburger Spielkarten & Co-pg5

Lenormand 1892-1931 Altenburger Spielkarten & Co-pg6

Lenormand 1892-1931 Altenburger Spielkarten & Co-pg7

Lenormand 1892-1931 Altenburger Spielkarten & Co-pg8

Lenormand 1892-1931 Altenburger Spielkarten & Co-pg9

Tarot Symbolism: The Ultimate Pilot – Thoth Tarot

By Odyn PenDragon

Atu XX is called “The Aeon” in the Crowley-Harris Tarot. Crowley’s use of the term is difficult and misleading, especially for “the beginner”. He ‘distorted’ the idea of “an epoch” to conform to his desire to ‘create a new religion’ (a huge mistake in my opinion). One is better off investigating the use of that term with regards to “Gnosticism”. (I have yet to read Jung’s book by that title.) The ‘classic’ full title is “The Last Judgment”, which is infinitely superior to the foreshortened “Judgement”; but one is much better off dissociating the “X-tian connection” to that phrase.
Crowley’s design of Atu XX, even by his own description, is claimed to be a portrait of “the Hierarchy of the New Aeon”, which is technically correct but, again, misleading by the presented wording. Instead of “back-pedaling” and then “forward-pedaling”, I’ll just jump right in.

The Developing Human has gone through the entire adventure as described by the Trump Series — from the initial “Abandonment of the Previous” of Atu 0 unto the eventual “Discovery of the Fuel Chamber” of Atu XIX. Atu XX is a portrait of A New Vehicle of Incarnation (a schematic if you will), and is “the rebirth” unto “a new human”. (I want to say “new being”, but let’s keep this within ‘humanity’.) The Seated Central Deity is “the new person” placed at the Captain’s Chair of the New Space-Time Vehicle. The “Wand of Power” in one hand is “the shifting-stick of the transmission gear-box” controlling “the velocity”. The other hand is “steering the vehicle” controlling “the orientation” (the phrase “I have crushed an universe, and nought remains” is a groovy technical phrase). The Ghostly Twin Sibling is what is commonly called “the astral body” of the physical pilot. In another sense, this is the gnostic Daemon in relation to the seated Eidolon. The Surrounding Goddess (Nuit) is not only the Shell of the overall Vehicle, but also the Distortion of Space-Time about that Vehicle, whereby “point A” and “point B” are ‘curved’ into coincidence. The Basic God-Focus (Hadit) is multi-aspect: the “point A+B” coincidence, the “fuel source”, and (to use a ‘disneyland’ metaphor) the monorail track of the Vehicle.

The complex image at the very base of the portrait, the “hebrew-letter-shin” with the “three children”, and the flames surrounding, I will not get into except that they refer to the ‘classic’ version of this card — yet beyond the average considerations (‘why the three fetal icons?’). The presiding image is a complex re-image of the ‘classic’ Trumpeting Angel.

For those not acquainted with “space-time travel”, I simply invite you to search for the presentation given by ‘the heretic-scientist’ Bob Lazar, who actually ‘back-engineered’ one of the “extra-terrestrial vehicles” (so he claims, by one faction; or so he lies, by another faction; or so, ‘who do you believe?’ (and that is a trick question)).

This “New Vehicle” is a complete violation of “what we are supposed to be” according to Nature. (Atu VII “The Chariot” is the Vehicle “we are supposed to be” according to Nature.) For those who pretend that “human evolution” is “better”, you should double-check with Nature “who prefers you that you subscribe to ‘her’ parameters”. Nature does not want the “new human” described in this portrait. The stage depicted with this portrait requires a “real grown-up attitude”, when you are cast out of the gestating house and unto a real ‘wild abandon’. “You are now A God.” This is very different from ‘answering to a god’. The “Children of Nature” have a much ‘easier’ time with the matter of ‘living’.
All you have to do is “stay asleep” within the ‘bed-chamber’ of “mother’s choosing”. Animals are very much friendly with this tactic. And “sleeping humans” are very much entrenched in animal life.

I was reluctant to use the term “resurrection” with this card, rather than “rebirth”, so I ran to my ‘trusty’ dictionary. The following three definitions are offered: a) “the act of rising again after death” (ok); b) “a bringing back into use” (ok); c) “a body snatcher” (HA! There It Is!). Atu XIV also qualifies as a “resurrection” of sorts; so how was that to be distinguished from Atu XX? Actually, in the “long analysis”, there is definitionally “no difference” — so the difference is only to be cognized within the Trump Series. But there is a huge difference between the “Temperence” stage and the “Aeon” stage, given the various ‘trans-terrestrial’ stages between those two (Atus XVI, XVII, XVIII and XIX).